Revamping The Shop!

So I don’t know how well it may have come across on video, I generally tried to frame somewhat carefully, but the shop as it existed from around the middle of 2015 onwards was a nightmare. Stuff- tools, materials, trash…- strewn across every available flat surface, including the floor, piled up against benches and walls, some bench tools on the floor… Working in it was like playing Jenga in a hurricane.

So, this summer I made good on my threats to actually do something about it, and put a good couple weeks’ of effort into really turning the space into something useable. It’s a huge amount of work, and really has to be broken down into two phases, but the first phase (create more workspace, clear most of the floor, give all the tools a permanent home) is now more or less complete.

I did what was supposed to be a quick video giving something vaguely resembling a tour:

Here are a few pics of where it currently stands:

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Continue reading Revamping The Shop!

GameStop Exclusive arctic camo finish illuminated

BR85 Build Skills, Episode 2

New video is live! Yay!

The idea of this series is to focus on a handful of specific, fairly self-contained parts of the build that can easily transfer to other prop builds, kit assemblies, whatever. To look at some of the more “functional” aspects of a prop build that can be used to improve a project beyond good assembly and paint. Check it out:

This one even manages to be about 35% shorter than my usual running time! 😀

One idea I also had was to make an L-shaped slot so that the handle has a point to catch for an empty/missing magazine, and then could be flipped forward after “reloading”. Since the BR85 seems to have a closed-bolt firing position or a floating bolt assembly- it gets fully racked back-and-forth after replacing the mag in the game- this wasn’t really relevant to this build, but there may be some other weapons (particularly pistol slides) that operate that way in-universe.

For a pistol, you’d need a separate lever that could flip the lever (connected to the slide) back up into the main guideway. Alternatively, a spring-loaded crossbow-style wedge, that allows you to rack the slide back, and then pops up into the main cylinder in front of the returning piston head. The wedge itself would be directly connected to the release lever that would allow you to depress it back out of the cylinder. May be easier that way, since you wouldn’t need to allow a floating, rotating bolt to connect to a linear slide. Anyway, random ideas aside…

Continue reading BR85 Build Skills, Episode 2

Round-up, September 2016

The last few months have been some crazy ones (and where did 2016 go, btw?!), but I’ve been getting some positive results and making some good progress, overall. As I try to drill down into photography, propmaking and 3D work (all three? Yes, all three. I know, I’m insane), I’m taking a moment to look back over the last few months and see where things are going!

First up, the last of the BR85 project!

BR85HB-SR Battle Rifle

UNSC finish
UNSC finish

I finally finished up this project and shipped out the last two by about May or so, pushing the entire project to nearly two years!

Continue reading Round-up, September 2016

Video Post! LED Lighting for Props

While I continue to work on the Blender particles-of-particles post (I maybe sorta kinda forgot how I did it so I’m having to reverse-engineer it), here’s a video I published yesterday on installing RGB LEDs and building a diffusion box for light-up screens on prop builds!

 

Yep!

~Rob

The Borderlands Episode: Commercial Recasting

(The following issue was resolved shortly prior to publication, but if you’re interested in the legalities of replica propmaking, feel free to continue!)

Well, that escalated quickly. First from Abby Darkstar, then Harrison Krix (post deleted), and most recently at time of writing is Steven “SoloRoboto” Meissner sharing Steven K “SKS Props” Smith‘s Twitter spat last night with the BusDev and Licensing exec at Gearbox, David Eddings (no, not that one). It started over the image at the top of that back-and-forth, Glitch Gear’s PAX announcement of their “Psycho Mask prototype”, which SKS claims as a recast of his own. I can’t imagine it’s going to get better from here unless the Gearbox marketing department starts swinging, but all’s quiet on the western front, which indicates that emails are privately a-flying.

Naturally, “no recasting” being rule #1 in the cosplay community, everyone piled on Glitch Gear and David Eddings to defend their fellow maker. Is it as simple as that, though? Since I don’t identify specifically as a propmaker but more as a general physical and visual creative, I tried to think my way through the tangled web of our broken IP legal system as best I understand it, with the facts that I’m aware of. I haven’t played Borderlands (though I did rather like the 2003 Halo PC port) and don’t really know Steven in any meaningful way, so I don’t particularly have a horse in this race. The usual “I Am Not A Lawyer” caveats apply, as well as “I am not a long-time professional propmaker” and others. Feel free to disagree with my points.

For the sake of argument, I’m going to assume that the mask IS a recast, since if it’s not, and it’s simply an SLA print of a high-res asset (which would have been the logical way to do it) the entire argument is moot and Steven’s drawn some unwanted attention for naught.

1) The Commission System

Commissions are used in the cosplay community to legally mask the appearance of mass-production of unlicensed works. That may be an unpopular opinion, but as best I can tell it’s a fact. I may even be guilty of it myself, if a run of five- three kits and two builds- from silicone moulds would be judicially considered “mass production”. The idea is that commissions of popular IPs are individual artworks unencumbered by copyright and trademark law, since they’re built from scratch as one-offs by clients who are paying for the skilled labour, not the object. Big difference, legally.

Continue reading The Borderlands Episode: Commercial Recasting

TIL: BR85HB-SR Edition!

AKA. The First Mistakes Post of Many!

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I was just reflecting on some of the things I’ll be doing differently on future builds and/or kits, and realised that it might make an interesting post. Currently I’m in the unique position of being still just about post-first-build, and therefore the things I’m reflecting on now are likely to be “obvious”, overlooked by builders further on in their pursuits.

Here’s the top five that I think about regularly: Continue reading TIL: BR85HB-SR Edition!

The Value Proposition of Craftsmanship

Harrison Krix (Volpin Props) recently tweeted,

which set me to wondering. Not so much about cat condos, as entertaining (and potentially yet slightly disappointingly profitable!) a concept as that may be. But it is distinctly noticeable that the world of propmaking, just like the world of “professional photography” that I also have a foot in, has been becoming increasingly crowded.

Bubbling Up

I think the reasons for these two “bubbles” is both the same and entirely different. Photography has boomed primarily thanks to the democratisation of the hardware. You can pick up a camera that’ll happily compete with the big boys for $500 used (or new, in some cases) and Chinese OEMs have flooded the accessory market with affordable gear- I have three Yongnuo speedlights myself as well as my American-made StudioMax and Einstein strobes. Having the gear is one thing, but it’s the education and sharing that has really accelerated the trend. Continue reading The Value Proposition of Craftsmanship

HALO 4 Replica Build: BR85HB-SR… Master Complete

So a couple of days ago, after two and a half months longer than originally anticipated, six months to the day since the original post here, the battle rifle master was complete! The master is the finished original build that doesn’t get used, but gets moulded so that the final strong, lightweight plastic resin versions can be cast from the moulds.

The delay was simply a lack of experience on my part- it turns out that if you want to finish something to a professionally high standard, all the layers of priming, sanding from 220 grit on up to 2000 grit and clearcoat applications take just as long as the build itself. Of course, I was entirely unaware of that going in.

If you’re interested in the details of that finishing work, I produced a video guide on it while working:

That was, admittedly, a not-insignificant portion of the delay in finishing, since 30-minute videos are non-trivial to put together even when conceptually simple, but since I hadn’t really seen any information on it prior to starting I thought it was important to share at least my initial experience with others in that position. My techniques may change over time, I don’t know. If they do I’ll probably do another updated video.

I think that’s about it, so let’s get to the photos!

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Continue reading HALO 4 Replica Build: BR85HB-SR… Master Complete

The Bondo Workflow

As you can see, there isn’t much in the way of updates  on the BR85HB, though that’s not due to a lack of progress- in fact, it’s almost complete and ready for moulding, just a couple weeks of work left to do:

The night of "completion"
The night of “completion” after ten hours of straight work. Slightly loopy from exhaustion!
After some more work.
After some more work.

If you want to see how that’s been coming along, check out the 405th update thread here: http://www.405th.com/f21/halo-4-br85hb-sr-pic-heavy-first-major-project-43577/. Major recent updates are around pages 4/5/6. The lack of blog updates is primarily due to the fact that building a piece like this mostly consists of doing the same general things over and over again but in slightly different shapes, not exactly a grand learning experience on every part like I’d originally anticipated.

Anyway, that’s not what I want to write about today, as you may have inferred from the title.

Bondo-age!

Needless to say, over the course of this build, I’ve learned rather a lot about the use of Bondo body filler. It’s an incredibly useful material, and unsurprisingly a staple in the prop and cosplay maker’s arsenal. I’ve seen the question of how it’s used come up numerous times over the last few months, and since the specifics are usually glossed over in favour of general advice, and I’m now in a position to be able to offer a fairly comprehensive beginners’ guide, it seems right to do so and pay it forward.

So, here we go with my typical Bondo workflow, going from bare surface to the beginning of surface prep for finishing.

Continue reading The Bondo Workflow

HALO 4 Replica Build: BR85HB-SR… Barrel Jacket Assembly Complete

This took about three weeks and innumerable individual actions and solutions, so I’m going to keep it fairly abridged and streamlined.

I now have a picdump thread up on the 405th where almost all my pics will be going, and you can see these at a little higher resolution. The disadvantage there is that the embeds aren’t 600px wide like on WordPress, so you have to click through the lightboxes to see clearly.

http://www.405th.com/f21/halo-4-br85hb-sr-pic-heavy-first-major-project-43577

Here, I’m going to stick to a general overview with a handful of more interesting events. Let’s get started!

First I did the cylindrical parts because they were the easiest:

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The anchor at the front of the frame snaps into this part very satisfyingly. I made it so that the finished piece can be moulded and shipped in pieces which should theoretically glue together nicely with minimal need for careful fit and alignment.

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Continue reading HALO 4 Replica Build: BR85HB-SR… Barrel Jacket Assembly Complete